Fleda had more than one small errand in the big bazaar, and he went up and down with her, pointedly patient, pretending to be interested in questions of tape and of change. She had now not the least hesitation in wondering what Mona would think of such proceedings. But they were not her doing—they were Owen's; and Owen, inconsequent and even extravagant, was unlike anything she had ever seen him before. He broke off, he came back, he repeated questions without heeding answers, he made vague, abrupt remarks about the resemblances of shopgirls and the uses of chiffon. He unduly prolonged their business together, giving Fleda a sense that he was putting off something particular that he had to face. If she had ever dreamed of Owen Gereth as nervous she would have seen him with some such manner as this. But why should he be nervous? Even at the height of the crisis his mother hadn't made him so, and at present he was satisfied about his mother. The one idea he stuck to was that Fleda should mention something she would let him give her: there was everything in the world in the wonderful place, and he made her incongruous offers—a traveling-rug, a massive clock, a table for breakfast in bed, and above all, in a resplendent binding, a set of somebody's "works." His notion was a testimonial, a tribute, and the "works" would be a graceful intimation that it was her cleverness he wished above all to commemorate. He was immensely in earnest, but the articles he pressed upon her betrayed a delicacy that went to her heart: what he would really have liked, as he saw them tumbled about, was one of the splendid stuffs for a gown—a choice proscribed by his fear of seeming to patronize her, to refer to her small means and her deficiencies. Fleda found it easy to chaff him about his exaggeration of her deserts; she gave the just measure of them in consenting to accept a small pin-cushion, costing sixpence, in which the letter F was marked out with pins. A sense of loyalty to Mona was not needed to enforce this discretion, and after that first allusion to her she never sounded her name. She noticed on this occasion more things in Owen Gereth than she had ever noticed before, but what she noticed most was that he said no word of his intended. She asked herself what he had done, in so long a parenthesis, with his loyalty or at least his "form;" and then reflected that even if he had done something very good with them the situation in which such a question could come up was already a little strange. Of course he wasn't doing anything so vulgar as making love to her; but there was a kind of punctilio for a man who was engaged. "Have I kept you off to-day?" Fleda sadly shook her head, raising her arms a little and dropping them.!

Fleda broke into a laugh which gave him a surprise as visible as the emotion it testified to. "Then how am I to know that you 'really' love—anybody else?" "To send them back—to keep it quiet." The girl had not felt the impulse to ask him to sit down among the monuments of his wrong, so that, nervously, awkwardly, he fidgeted about the room with his hands in his pockets and an effect of returning a little into possession through the formulation of his view. "To have them packed and dispatched again, since she knows so well how. She does it beautifully"—he looked close at two or three precious pieces. "What's sauce for the goose is sauce for the gander!"

"I think that before I answer you I had better know what you're talking about," Fleda said. "I made a point of letting Mona know that I should be here, don't you see? That's exactly what I wrote her this morning." He was sensible of it, he achieved his performance. "Why, that if I don't get the things back—every blessed one of them except a few she'll pick out—she won't have anything more to say to me."